The Revolutionary Mistress by Leia Rice is all sorts of problematic, is definitely erotica, and I enjoyed every minute of it (don't judge). With the French Revolution bubbling to full boil, Mariette is a tavern barmaid who has had to resort to prostituting herself to earn any sort of living. Then she meets Rene, and our girl falls hard and fast. But danger lurks in the form a Sebastian, a regular customer who has her ensnared in his revolutionary activities.
For such a short story (around 50 pages), the author does an excellent job with developing her setting with all the tension you would expect for a story set during the French Revolution. It ends happily in the respect that the heroine is safe and she's going to be on the receiving end of what will surely be months, if not years, of incredible sex - so while a stretch to consider this a romance, it's definitely what I would consider female-centered erotica. My only real quibble is that Mariette is what I call a reactionary heroine. Stuff happens, she reacts. She never really takes matters into her own hands and for most of this story she's at the whims of men. Could I understand that given the world she was living in? Yes. But I can't help thinking what this story could have been had Mariette been a more wily sort of character.
Final Grade = B-
The Lady's Bargain by Leslie Dicken was less successful for me, largely because the heroine does something unbelievably stupid and because the hero is a cad. Lady Christine Claybourne needs to stay unmarried until her next birthday, only one month away, in order to inherit the only home she's ever known. So when her uncle arranges her betrothal, she runs away and poses as a shy governess. She's discovered by William Preston, Lord Kingston, her betrothed's younger brother. Turns out she inadvertently accepted a governess post in her future father-in-law's home. She ran away from a guy she doesn't want to marry only to end up at his parents' house. Seriously.
Here's the thing, I get the girl doesn't want to marry - but she basically prostitutes herself to the "hero" to keep her secret and the brother she is engaged to? Yes, he wants her dowry (because of course he does), but it's not like the guy is a horrible monster. So you've got William cuckolding his brother, the heroine determined to go through with the marriage after one night of passion with William because she's in lurve and realizes either way she's destined to be alone forever so what does it all matter anyway, and the author tries to spin it all out as a great love match romance. Nah, not buying. On the bright side? The sex scenes are very well written.
Final Grade = D+
Tuscan Seduction by Amber Carlsbad was very well written but ultimately not very satisfying because of it's brevity. Gina has come to the realization that she is wasting her youth, so she breaks up with her steady, older (read: boring) beau, quits her job that she won't miss, and takes off to Italy. She meets Carlo on the train, sparks fly, and we get a hot sex with a hot stranger story.
This is very, very brief. It's basically an interlude between two characters that morphs into them deciding to spend more time together once the train ride concludes. It works as erotica, but not really as a separate stand-alone story. Honestly? This would have been right at home in a Cleis Press anthology, and was even written like it. Not bad, not great, just sort of there.
Final Grade = C
I had originally planned to just read three shorts for this month's Challenge, but I was well and truly drunk at this point and just didn't know when to quit. So that's how I came to read The Devilish Duke by Alice Gaines, which led me to sobering up quickly.
Miss Rosalind Weaver's father is a degenerate gambler who wants to sell his daughter into marriage to a man she cannot abide. So her answer is to arrive on the Duke of Fallon's doorstep (he had also asked for her hand, but was outbid by the odious guy) and propose they marry. She'll give him the heir he desperately wants (Fallon's got two dead wives under his belt...) and she doesn't have to marry the odious lecher. He agrees, but wants to sample the goods first.
The author is shooting for romance here, but instead readers are regaled with Sex and Crazy. The "Crazy" comes in the form Dead Wife #2's Evil Sister who the hero had a menage a trois with - and yes, of course the sisters were incestuous. There's also the backhanded comment the hero makes about Dead Wife #1 being frigid, dying in childbirth, and the baby (a girl) dying a few days later. He makes a snide comment about being happy "at the time" that the baby died so he could start over. What. A. Prince.
Not.
And after that I'm supposed to believe he's a great guy and he's got this great love match, finally, with Rosalind and OF COURSE we get a childbirth epilogue where OF COURSE Rosalind squirts out a baby boy and WENDY MAD! WENDY SMASH!
Look, were girls devalued during historical times? Heck, we're devalued now! Doesn't mean I want to read about it and it doesn't mean I want the author to give the hero a free pass over it.
Final Grade = F
Not a good way to end my gorging at the Spice Briefs trough, but it did succeed in getting me to sober up. Plus reading so many shorts in a row helped kick start the mojo. Not a rousing success, but I'll take it.
