The Particulars: Historical Fiction / Romance (more on this in a bit...), Amazon Montlake, 2026, stand alone, In Print
Why Was It In Wendy's TBR?: In terms of my TBR, this is a more recent addition. I've had the ARC for more than a hot minute but it's an April 2026 release that happened to fit this month's Lush Life theme to a T. Also, in case you're new here, I am an Angst Junkie with a capital A and J.
Trigger Warnings: Suicide, drug addiction
The Review: I have zero patience for folks who tar and feather genre fiction as not "serious." In that same vein, folks who label all romance as unserious smut read by bored women looking to get their rocks off. Hall's done some interesting things with this book. I'm not sure they always work, but it's interesting and likely one I'm going to churn up in my brain for a few days. Meaning, this would be a dynamite book club discussion assuming your book group isn't a bunch of assholes.
Reverend Thomas Mandeville is a third son (actually a twin, born second) which means he was destined for the church - his father being nothing if not unimaginative. His older by seconds twin went to the military, barely survived Crimea and is now the heir - their oldest brother Edward having died in a "hunting accident." It's that accident that haunts Thomas, a secret he's keeping at his mercurial father's request. So our guy has plenty of his own baggage when he discovers a opium-addicted whore lying in a gutter.
Michael "Micha" Dashword became a whore after arriving in London, having been spurned by a lover. He continues to be a whore to feed his opium addiction, which Hall doesn't mince words on. This guy is a mess y'all. This would be a chicken or the egg scenario - has Micha fallen ill because of his addiction or is his addiction making his illness worse. Doesn't really matter, he's passed out in a gutter when Thomas finds him, and taking that whole "help / love thy neighbor" thing to heart, Thomas hauls him back to the family's home (currently vacant) in London to nurse him back to health. Just to reiterate, Thomas doesn't know Micha from Adam but can't leave a man dying in the gutter without doing something - so yes, he's that brand of Christian.
This is very much a slow build book. The author spends the first part of the story setting up backstory, interspersing the narrative with first person accounts (displayed in italics) for both Micha and Thomas - but mostly for Micha, which gives us more information on how unsettling his life is. Sex isn't always about caring or love and if you believe it is, maybe don't read this book and have your illusions shattered. Micha's work is often upsetting to read about, as is his addiction. You're watching a man destroy himself on page and, in turn, taking other folks down with him. Micha is an addict, Micha has problems, doesn't mean I didn't, at times, think Micha was an asshole. He is.
This isn't an inspirational book but given that Thomas is a man of the cloth expect a lot of religion talk and Thomas wrestling (somewhat) with his faith and occupation. But not much, because he reconciles his faith and his feelings for Micha in short order with the belief that "God cannot hate love..." I'm not saying Thomas is wrong (I actually agree with him - coming from a God Is Love school of religious thought...) but it feels too pat, too easy. Also, naïve. Thomas doesn't spend any time dithering about actions and consequences which, come on man. Do you spend any time paying attention to the world you live in? The answer is - not so much. His fascination and feelings for Micha also come on fast, at first struck by Micha's beauty - which c'mon. He's an opium addict you found lying in a gutter. I don't care how beautiful the man is, I'm thinking he looked rough.
The story carries the reader through London and back to Thomas' country parish, which is where the relationship work of the story really cooks. Hall populates the story with well-rounded secondary characters (Mrs. Clark the housekeeper steals this book) and our couple falls in love, thereby creating more complications because hello, two gay men in love in Victorian England. I think it's important to note that while there is a romance and Hall does end it happily per se, this is a very melancholy read. It has to be. Queer people have always existed and Victorian England was not safe for them. Hell, today isn't safe for them. Certainly better, but not safe. Hall is navigating this story through the realities of that time frame. It ends on the note that Thomas and Micha love each other and end up together, but not in the way a modern 21st century reader might want. It's not unicorn farting rainbows happy. It's more pragmatic, compromise with the time you're living in happy. This book is very much romantic, but a romance as we define and look at the genre today? That's stickier. Also possibly why a lot of the tags I'm seeing on this book at retail sites lean towards "historical fiction."
With all the talk of faith and religion, the prose runs a little flowery for my tastes, Thomas runs naïve and Micha runs towards asshole on more than one occasion. But you understand as the reader why all this is. I wasn't in love with this book, but it's angsty, meaty and there's a lot to chew on here. I might not be clutching it to my breast and sighing dramatically, but I'm also going to end up thinking about it for a few days after. For all those reasons, don't be shocked if this ends up on my Best Of list at the end of the year.
Final Grade = B-




















