Showing posts with label Nora Roberts. Show all posts
Showing posts with label Nora Roberts. Show all posts

February 23, 2022

Guest Post: Deep Freeze Thrillers

A break from increasingly scarce Wendy blathering today - with a guest post from Bat Cave Friend, TBR Challenge Participant, and all around good egg, Janet W!  Since the start of the new year I've been glomming on to suspense reads and Janet's dynamite post is sure to send a chill (the good kind!) into the heart of suspense fans everywhere.  Enjoy!

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What’s the appeal of wintery thrillers set in the interior of Alaska or Canada’s Yukon Territory? Consider that the temperature in February ranges between an average high of 8°F and a low of -13°F. That’s bone-chilling cold. During the winter solstice, there are less than four hours of daylight per day. Poets, novelists, and artists—often depicting the Aurora Borealis—have shaped how we envision winter in the vast and mostly unpopulated far north. The crux of Jack London’s short story “To Build a Fire,” is the eternal conflict of man against nature. In London’s frozen Yukon, a vulnerable man is someone who doesn’t respect the power of nature. 

But all this--the mysterious, far-reaching hairline trail, the absence of sun from the sky, the tremendous cold, and the strangeness and weirdness of it all--made no impression on the man. It was not because he was long used to it. He was a new-comer in the land, a chechaquo, and this was his first winter. The trouble with him was that he was without imagination. He was quick and alert in the things of life, but only in the things, and not in the significances.

Three novels—Nora Roberts’s Northern Lights, Kelley Armstrong’s A Stranger in Town, and Dark Night by Paige Shelton—illustrate why the North makes a hospitable, albeit frigid, locale for murder. 

Northern Lights strikes some universal themes. The first, that moving north of the Lower 48 is often an escape and refuge from painful events. Baltimore cop Nate Burke accepts a job as police chief of Lunacy Alaska. In his rearview mirror is a dead partner and a divorce: he can’t get far enough away to start again. To escape being labeled a cheechako (a term that used to describe “a person newly arrived in the mining districts of Alaska or northwestern Canada” and now defines newcomers to Alaska and the Yukon), you must embrace the great outdoors. Nate decides to take up snowshoeing. The alternative is holing up for the winter with an ample supply of whiskey and firewood. Another theme is that loners like being alone and are unfazed by winter’s vicissitudes. There’s a tension between escaping the past and embracing a new community in a northern setting. Nora Roberts, an oft underrated author, addresses this very effectively in the person of Nate Burke, a new lawman who uncovers a decades-dead frozen body early in his tenure. His new girlfriend, bush pilot Meg, is the daughter of the dead man. Her approach to justice has a tinge of the Wild West. 

I believe in payback. For the little things, for the big ones. For everything in between. Letting people screw you over is just lazy and uncreative.

The theme of escaping one’s past is also addressed in Kelley Armstrong’s Rockton series. Rockton, a fictional town near Dawson City, Yukon Territory, is “a haven for those running from their pasts.” 

Trouble always seems to find Detective Casey Duncan and her boyfriend and boss Sheriff Eric Dalton, particularly when they’re off-piste, looking for some R&R in the wilderness surrounding Rockton.

Rockton is a closed community, completely hidden from scrutiny. To escape traditional retribution, criminals pay inordinately large sums of money and serve their “sentence” in relative comfort, climate extremes notwithstanding. The town of Rockton is analogous to an open prison except, like the British TV series The Prisoner, only the folks who keep the lights on and the trains running are allowed to leave (to get supplies and access the internet). The final Rockton book, The Deepest of Secrets, will be published in February 2022. 

Dark Night
, the third of Paige Shelton’s Alaska Wild mysteries, opens as winter is closing in. For Beth Rivers, who writes popular thrillers under the name Elizabeth Fairchild, the allure of the fictional town of Benedict is its remoteness. Folks in Benedict (a fictional town) respect one another’s privacy. Thin Ice was the first in Paige Shelton’s Alaska Wild mystery series. Beth arrives in two-person prop plane, on the run after escaping from a stalker who kidnapped her. She’s carved out a good life: Beth has a job, writing the weekly “one-sheet newspaper, the Petition,” a room “at the Benedict House, a halfway house for female felons,” and friends and acquaintances (like her almost boyfriend Tex). Only the police chief Gril Samuels knows her back-story, or so Beth supposes. Beth has a talent for detection. When a local is murdered outside the popular watering-hole, she can’t resist the allure of solving the puzzle. Was he murdered by a Benedict citizen or a newcomer? If the murderer is on the run, where do they hide, especially if they’re from the lower forty-eight? Most outsiders don’t have the wherewithal to prepare adequately for the extreme conditions. 

To enjoy a mystery set in Alaska or the Yukon, you don’t have to prepare for frigid temperatures and almost 24/7 darkness. You can curl up with a hot chocolate in front of a fire while you enjoy these stories. Unlike the hero of Robert Service’s famous poem, “The Cremation of Sam McGee,” you may shiver in fear but you won’t be cold!

August 25, 2016

Review: The Obsession

http://www.amazon.com/exec/obidos/ASIN/0399175164/themisaofsupe-20
The entire time I was listening to The Obsession by Nora Roberts the phrase "damning with faint praise" kept running through my mind.  Which means I feel the need to explain how I tend to approach romantic suspense.

I was a mystery/suspense reader long before romance, so when it comes to romantic suspense I tend to be a Suspense First, Love Cooties Second kind of gal.  And I've long accepted that this puts me in a small minority in Romancelandia.  The premise of this book is dynamite.  Roberts really outdid herself cooking up this one.  The downside?  With the suspense concept so dynamite I totally began to think of the "romance stuff" as "filler."  Which probably isn't a good sign.

Shortly before her 12th birthday, Naomi Carson follows her father out into the early morning dawn and discovers he's a monster.  He's been raping and murdering women for years, using an old, abandoned cellar to carry-out his evil.  Naomi discovers a woman, still alive, that day and rescues her.  Her father is arrested, but it's only the beginning.  Her, her mother, her younger brother, go to live with mother's brother - looking for a fresh start.  But the past doesn't stay buried - even after Naomi is all grown up, and finally trying to settle down in the Pacific Northwest.

The first part of this book is bloody fantastic.  It's the story of Young Naomi, her rescuing her father's latest victim, her father's arrest, and the fall-out from realizing that Daddy is a monster.  Then the story jumps to present day.  After years of traveling the country, working as a photographer, Naomi falls in love with a rundown house, decides to fix it up, plant roots, and falls in love (rather unwillingly at first) with Xander Keaton, local mechanic, singer in a bar band, and all around good guy.  She's finally starting to settle down, to let people get close, when someone following in her father's footsteps finds her.

Here's the issue.  Once we're past the Young Naomi portion of the story, we get into Settling Down Grown-up Naomi.  Grown-up Naomi:

Buys a rundown house
Hires a contractor to fix it up
Blah, blah, blah whole bunch of renovation/remodeling porn
Finds an abandoned dog
Keeps the abandoned dog, reluctantly
Falls in love with the dog, because of course
Starts tap-dancing around Xander
Cooks several delicious meals
Takes a bunch of photographs - work, work, work
Romance, romance, blah blah blah....

I. Don't. Care.

Yes, it's harsh.  But the whole concept of this book (that even serial killers can, and sometimes do, have loved ones, family, friends - they're not always loners....) is so fantastic.  That's what I want.  I want more of that.  I don't give a flying hoot about Naomi finding the perfect desk to rehab for her home office.  Or that she makes Eggs Benedict for Xander and he practically orgasms on the spot.

I. Just. Don't. Care.

But back to the suspense.  Once it shows up again (Praise Jeebus!), Naomi has to stop running from her past and admit some hard truths.  The one (and it's big) downside is that while the concept of the suspense is fantastic, the actually WhoDunIt is....obvious.  As in, really, really obvious.  I felt like Roberts' tipped her hand way too early and there are no credible red herrings or uses of misdirection.  Which made getting through the I. Don't. Care. Renovation, Dog Owning, Cooking Porn even more tedious.  I know who the bad guy is.  Can't we just skip all this other stuff and get to the end?

Seriously, I wonder what this book would have been like as a Harlequin Intrigue?  I'm thinking pretty awesome.

The world-building is good, the characterizations are good, and Roberts writes small town life in a way that doesn't make me want to put my fist through a wall (no cutesy cupcake shops!).  And Roberts is a great storyteller.  This is a good story.  The plot concept is great!  But it's how it's executed that I found myself bored by.  I also wanted the mystery to be a bit beefier.  Some twists and turns would have been nice.  This is more straight line.  Wide open space.

I'm not sure where this leaves me and my reaction to this book.  I hate giving it a low grade.  I recognize the good story.  I recognize that I liked these people, I liked the concept - I just didn't really care for how it was all executed.  So it's going to be a middling grade, but it's honestly probably better than that.  Especially if you're a Romance First, Suspense Second romantic suspense reader.

Final Grade = C+

July 17, 2013

TBR Challenge 2013: High Noon

The Book: High Noon by Nora Roberts

The Particulars: Romantic suspense, Putnam, 2007, In Print

Why Was It In Wendy's TBR?:  I picked this one up at RWA 2007.  Nora was the luncheon speaker at Librarians Day that year and this book was part of the swag.  Yes, I've had a book in my TBR since 2007.  Don't hate the player, hate the game.

The Review: I was all set to read a historical for this month's TBR Challenge, but got derailed when I DNF'ed a category romance I requested from Netgalley (sorry Harlequin!  Look, I review a ton of your books, DNF'ing one isn't all that terrible - is it?).  Anywho, I was looking at the historicals in my pile that fit this month's theme and I just wasn't feeling it.  The clock was ticking (I wanted to put this review to bed before I left for RWA!), and even though this book clocks in at a staggering 467 pages (have I mentioned I'm slow reader?), I took the plunge.

Nora's about as classic as it gets when it comes to romance.  Some folks wonder why.  Why her?  Well, I'll tell you why - besides what must be a killer work ethic - she can spin a story.  Is she the bestest, super supremo writer on the planet?  No.  But she tells a good story and keeps you engaged.  After DNF'ing a category romance that didn't make me care one iota, Nora's ability to spin an engaging story was not lost on me.  I inhaled this book, despite my quibbles.

Police Lieutenant Phoebe MacNamara is a hostage negotiator for the Savannah PD.  She's supposed to be enjoying St. Patrick's Day with her family.  Instead she's called downtown to talk down a jumper.  She arrives on the scene and immediately meets the jumper's former employer and current landlord, Duncan Swift.  Phoebe does her thing, the situation is defused, and Duncan is smitten.  Hook, line, sinker, head over heels, smitten.  Now all he has to do is convince Phoebe to give him a chance.  One measly lil' drink.  Surely she'll say yes to that?

Phoebe's life is complicated.  She's got a rambling mansion she inherited from a relative, a sour woman who is literally running Phoebe's life from behind the grave.  She's a single mother to a precocious seven-year-old daughter, and has an agoraphobic mother who has a panic attack just thinking about opening the front door.  Then there's the demands of her job, the pressures of being a woman in a male dominated field, the childhood trauma that still looms over her family, and oh yeah!  It seems there's a Psycho Bad Guy who's out to get her.  She's used to handling things by her self.  She's used to taking care of everybody and everything.  She does not have time to "date."  But Duncan - damn, Duncan with his charming banter and sexy eyes won't take no for an answer.

There is a lot I liked about this book.  The dialogue is fast and furious, the sparks immediately fly between the couple, Roberts does a great job with the secondary characters (the folks Phoebe encounters "on the job" especially), the hostage scenes are suitably exciting and tense, and the whole High Noon theme (Gary Cooper, Grace Kelly - it's a movie, you damn whippersnappers!) is genius.

So, what didn't work for me?  Well, it's a lot of little things.  Duncan and Phoebe are just so....perfect.  Phoebe is practically Wonder Woman and Duncan is so slick I started thinking of him as Teflon Man.  Do they have baggage?  Yeah.  But even with that baggage they still seem so put-together, even-keeled, like butter wouldn't melt in their mouths.  Phoebe is prickly at times, but she's so damn competent and good-at-her-job, that it's hard to even consider that a character "flaw."

There were also times the romance just didn't quite gel for me.  The declarations of true love seem to come out of left field, but this could very well be chalked up to my being engaged more in the suspense thread than the romance.  Also, as exciting as the climactic finish to this story was?  I have a hard time believing that Duncan would be allowed on the scene, allowed past the barricade, and would be able to talk Phoebe.  I don't care if she's running the negotiation - it just felt too Convenient Romance Suspense Novel Plot Device to me.

So where does that leave me?  I liked this.  I have an autographed copy, so I'll keep it - but I'm unlikely to ever reread it.  The suspense is good, and there's a moment during the third act that literally had me gasping out loud (seriously, it's gruesomely good and it shocked the hell out of me - Brava Nora!).  The romance?  Meh.  The suspense, delivering a good story and keeping me engaged?  Mission accomplished.

Final Grade = B-