Park grew up in the Midwest loving the Little House series, to the point of fan-fiction devotion. However she wasn't immune to the problematic elements of the series and she fulfills a lifelong dream of telling the story of a half-Chinese 14-year-old girl who, after the death of her mother in Los Angeles, is uprooted by her white father to resettle in the Dakota territory. Hanna has dreams of graduating from school and becoming a seamstress in her father's new shop. Along the way she's confronted by ugly realities, the struggle to make friends, and the unpacking of her grief surrounding her beloved mother's death.
While the protagonist is a 14-year-old girl, this is very much written at a middle-grade level. Suitable for my niece who just finished the fourth grade. However, as much as I hate the term "adult themes" since kids are more observant and smarter than most of us give them credit for - it's the kind of book that I think warrants some unpacking. Hanna confronts racism, injustice, and there's a moment at the end where she's assaulted (not raped - but hands are laid on her by a drunken ass). My one tangible issue with this story is actually that assault. Park writes about the aftermath of it realistically, and I do think children need to be aware of unfair realities - but it's a difficult lesson with a message that the genre reader in me recoils against. In other words - talk to your kids y'all.
A quick read for an adult reader, a lovely sense of place, and a beautiful example that representation matters. And while the themes are mature, the story is neither dark nor grim. Even if you're not interested - pick it up the next time you're in a library or bookstore to read the author's note at the end.
Final Grade = B+
It's important to know that Fruedenberger is an interior designer, so this book approaches books as functional art, part of the interviewee homes that are used and not mere display pieces. These aren't mere collectors per se, they're people who use and love their book collections. While the books are displayed (sometimes haphazardly) they're used, they're thumbed through, in some cases cherished or purged depending on the person who owns them.
Freudenberger definitely chose her subjects among artists and literati - the only "every man" writer to make an appearance being Larry McMurtry (and calling him genre is a stretch IMHO). But the photographs are lovely, as are some of the sentiments, and it helps solidifies my own relationship with books. Which is to say the older I get, the more I don't view books as art. I'm more of a collector of stories. It's just that my preferred method for consuming stories is through the written word. Are there beautiful books? Are there books that are art either by written word or in presentation? Of course. And while I appreciate those, in the end it's not what draws me. The story is the thing. That's the art that speaks to me. Delivered via a beautifully bound first edition or as an eBook file. In the end it's never no mind to me. Although I will admit to wanting what I call "tangible" copies of my keepers - books that I can pull out, look at, casually flip through. Yes, I'm a librarian, but that's about as high-falutin' as I get. The Midwestern lack of pretension runs that freely through my veins.
Take the grade for what's it worth. It was a nice book to look through but it's a coffee table book and those "are what they are." Final Grade = C